This report shows the various collaborative projects between UNO and the community. Various filters are provided to gain a better understanding of how different UNO units collaborate with the community.
| Project | Project Focus Areas | Community Partners | Campus Partners | Engagement Type: | Activity Type: | Other Activity Type: | Start Semester: | Start Academic Year: | End Semester: | End Academic Year: | Total UNO Students: | UNO Students Hours: | UNO Faculty/Staff Hours: | Total K-12 Students: | K-12 Student Hours: | Total Number of Other Participants: | Topics: | Other Topics: | Description: | Subtags: |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Bringing the Past to the Present: Reconstructing the Performance of Beowulf: 2017-18 (892) | Arts, Culture and Humanities, Educational Support | Brigit Saint Brigit Theatre Company, College of Saint Mary, Humanities Nebraska, Nebraska Arts Council, Nebraska Cultural Endowment | Barbara Weitz Community Engagement Center (CEC), Interdisciplinary Studies | Knowledge and Resource Sharing | Community-oriented lecture/event | None | Spring | 2017-18 | Spring | 2017-18 | 0 | 0 | 0 | 0 | 0 | 55 | History | Scholar and performer Benjamin Bagby explores how he reconstructed the performance of the Anglo–Saxon poem, in a free, public lecture at UNO. For a thousand years or more, one of Europe’s greatest epics had been silently awaiting its return to the domain of the bards who first gave voice to the thrilling story of King Hrothgar, the monster Grendel, and the hero Beowulf. In this lecture, the vocalist, storyteller, and early music scholar Benjamin Bagby will walk the audience through his research and reconstruction of the poem – how he took the story of Beowulf from its written form and brought it back to its original home: a live performance of oral epic. | ||
| Bernhardt/Hamlet Production: 2019-20 (2492) | Arts, Culture and Humanities | Brigit Saint Brigit Theatre Company | Theatre | Knowledge and Resource Sharing | Specialized service contract | None | Fall | 2019-20 | Fall | 2019-20 | 0 | 0 | 0 | 0 | 0 | 0 | Art, Theatre and Cinema | For this project Charleen Willoughby designed costumes for Brigit Saint Brigit's production of Bernhardt/Hamlet. | ||
| Uncle Vanya Production: 2017-18 (2499) | Arts, Culture and Humanities | Brigit Saint Brigit Theatre Company | Theatre | Knowledge and Resource Sharing | Specialized service contract | None | Spring | 2017-18 | Spring | 2017-18 | 0 | 0 | 0 | 0 | 0 | 0 | Art, Theatre and Cinema | Charleen Willoughby designed and coordinated costumes for BSB's production of Uncle Vanya at the Joslyn Castle in April 2018. I also acted as Marina in this production. | ||
| The Glass Menagerie Production: 2018-19 (2497) | Arts, Culture and Humanities | Brigit Saint Brigit Theatre Company | Theatre | Knowledge and Resource Sharing | Specialized service contract | None | Fall | 2018-19 | Fall | 2018-19 | 0 | 0 | 0 | 0 | 0 | 0 | Art, Theatre and Cinema | Charleen Willoughby designed, coordinated, and built costumes for BSB's production of The Glass Menagerie which performed for three weeks in November 2018. | ||
| Top Girls Production - KCACTF: 2017-18 (2501) | Arts, Culture and Humanities, Educational Support | Brigit Saint Brigit Theatre Company | Theatre | Knowledge and Resource Sharing | Community-oriented lecture/event | None | Spring | 2017-18 | Spring | 2017-18 | 0 | 0 | 0 | 0 | 0 | 0 | Capacity Building, Art, Theatre and Cinema | KCACTF is a week long theatre intensive festival. Theatre faculty from around the region are invited to participate in the Faculty Acting Showcase where they are assigned a scene from a play. | ||
| Playboy of the Western World: 2019-20 (2491) | Arts, Culture and Humanities | Brigit Saint Brigit Theatre Company | Theatre | Knowledge and Resource Sharing | Specialized service contract | None | Spring | 2019-20 | Spring | 2019-20 | 0 | 0 | 0 | 0 | 0 | 0 | Art, Theatre and Cinema | For this project Charleen Willoughby worked with the Brigit Saint Brigit Theatre Company on a production of "Playboy of the Western World" for which she designed, coordinated, and built the costumes. The show ran for four weekends. | ||
| Assassins Costumer Production: 2018-19 (2494) | Arts, Culture and Humanities | Brigit Saint Brigit Theatre Company | Theatre | Knowledge and Resource Sharing | Specialized service contract | None | Spring | 2018-19 | Spring | 2018-19 | 0 | 0 | 0 | 0 | 0 | 0 | Art, Theatre and Cinema | Assassins is a musical by Stephan Sondheim that explores the assassinations and attempted assassinations of the past presidents of the United States, the perpetrators and their motivations. Charleen Willoughby had to create characters of various periods of history and make them work in a cohesive whole for the production. | ||
| Incident at Vichy Production: 2018-19 (2495) | Arts, Culture and Humanities | Brigit Saint Brigit Theatre Company | Theatre | Knowledge and Resource Sharing | Specialized service contract | None | Spring | 2018-19 | Spring | 2018-19 | 0 | 0 | 0 | 0 | 0 | 0 | Art, Theatre and Cinema | Charleen Willoughby designed costumes for the play Incident at Vichy. The play takes place in Vichy France during WWII just as the Nazis are beginning to round up Jews for transport to the concentration camps. | ||
| Bold Girls Production: 2018-19 (2496) | Arts, Culture and Humanities | Brigit Saint Brigit Theatre Company | Theatre | Knowledge and Resource Sharing | Specialized service contract | None | Spring | 2018-19 | Spring | 2018-19 | 0 | 0 | 0 | 0 | 0 | 0 | Art, Theatre and Cinema | Charleen Willoughby designed the costumes for a production of Bold Girls, a story of four women in Belfast Ireland in 1990. | ||
| Shakespeare Revue Production: 2017-18 (2498) | Arts, Culture and Humanities | Brigit Saint Brigit Theatre Company | Theatre | Knowledge and Resource Sharing | Specialized service contract | None | Spring | 2017-18 | Spring | 2017-18 | 0 | 0 | 0 | 0 | 0 | 0 | Art, Theatre and Cinema | Charleen Willoughby designed and coordinated costumes or BSB's Production of Shakespeare Revue, a musical revue centered on Many of Shakespeare's play and sonnets. | ||
| The Cripple of Innishman Production: 2017-18 (2500) | Arts, Culture and Humanities | Brigit Saint Brigit Theatre Company | Theatre | Knowledge and Resource Sharing | Specialized service contract | None | Spring | 2017-18 | Spring | 2017-18 | 0 | 0 | 0 | 0 | 0 | 0 | Art, Theatre and Cinema | Charleen Willoughby designed and coordinated costumes for BSB's production of The Cripple of Innishman. |